The Abominable Snowman of the Himalayas Review

The Abominable Snowman of the Himalayas (1957) (DVD)

Director: Val Guest

*** Rating

To me, if anyone mentions Hammer Films, I usually think of Peter Cushing and the many roles he has had in their films. Some people may have seen their 70s classic, but they overlook a lot of their older work, such as this one. The Abominable Snowman started out as a T.V. series call "The Creature" written by Nigel Kneale. Cushing even reprised his roll as British scientist, John Rollason for the movie.

The film follows Dr. John Rollason (Peter Cushing), his wife, Helen (Maureen Connell), and a colleague, Peter Fox (Richard Wattis), who have traveled to a remote location in the Himalayas, ostensibly to study rare plant specimens. However, Helen and Peter soon learn that John had an ulterior motive, when he reveals that a ragtag group of explorers, headed by Dr. Tom Friend (Forrest Tucker) are on their way to meet up with John. They plan to lead a small expedition further into the mountains, in search for the infamous abominable snowman, or Yeti.

I really did enjoy this film. The beginning comes across as being slow, but it setups the tension that will develope later on when the men are on the mountain, hunting for the Yeti. Though most of this film was shot in Hammer Studios in the U.K., one would never know with such well made sets. The Pyrenees in France were a well chosen stand in for the Himalayas. Guest takes the Jaws approach to his monster and shows very little of it throughout. The filmgoers imagine works better than anything that can be designed by production. This film is different from most Hammer Films, because the monster isn't really monsterous. The Yeti seems like a misunderstood giant, hiding in the mountain, waiting for humans to die off so they can live in peace. Very different from later Hammer Films. Cushing turns in a great performance as usual, though if you haven't seen any Cushing films, this is not the one to start with.

The musical score was written by Humphrey Searle, his only score for Hammer Films.

  

The Abominable Dr. Phibes Review

The Abominable Dr. Phibes (1971)

Director: Robert Fuest

***1/2 Rating

Billed as Vincent Price's 100th film in order to draw more fans of his work to this piece, Dr.Phibes proves that horror can be done without over the top blood and gore. Its hard to just characterize this as just horror, because there is a great mix of comedy, drama, horror, and romance throughout this film. In later years, Dr. Phibes and it's sequel Dr. Phibes Rises Again has become something of a cult classic. The addition I have of the movie is a double feature of both movies. Dr. Phibes Rises Again will be reviewed at a later date.

Doctors are beginning killed left and right, with bizarre things that connect them to the ten plagues of Egypt. Inspector Trout (Peter Jeffrey) has been assigned to the investigation and finds that all the doctors are connected to a Dr. Anton Phibes and the death of his wife. But Dr. Phibes died in a car crash when he learned about his wifes death. It couldn't be him...or could it?

Vincent Prices has the stand out performance in this film, though most of his lines were recorded earlier. If that doesn't make sense, it will after you've watched it. The set design is amazing throughout this film, making this one of the more colorful horror films. I won't ruin the ways he kills his victims, but they are very inventive and reminds me a great deal of the Saw franchise. In fact, I do not think there would be a Jigsaw without a Dr. Phibes. Even the movie Se7en can contribute its success to how much it takes from this film.Very original both in story and the haunting organ music played throughout. The ending still leaves me breathless to this day.

Possible sequels planned included Dr. Phibes in the Holy Land, The Brides of Phibes, Phibes Resurrectus and The Seven Fates of Dr. Phibes. None were made.

A Blade in the Dark Review

A Blade in the Dark (1983) (DVD)

a.k.a. La casa con la scala nel buio or House of Dark Stairs

Director: Lamberto Bava

**1/2 Rating

Being a big horror fan, I am more than familiar with the works of Mario Bava. In fact, I own two Bava DVD sets, so I will likely be reviewing his films very soon. Lamberto, though not his father, gives us an Italian giallo that is very thrilling and at times very graphic. Giallo, for those not in the know, is Italian for yellow and comes from the way the pages of Italian mystery novels would yellow. These films are yellow mysteries, heavy on suspence, much like noir characterizes films with an antihero and a femme fatale. This film was originally going to be a four part mini series with a death at the end of each chapter. The filmmakers simply added a central killer to the story.

The plot follows Bruno (Andrea Occhipinti), a horror film composer, who works in isolation on a new murder mystery. The murder mystery, the parts we see, involve a girl tormented by bullies to go into the basement of a house to find a ball. We next hear the girl scream and see the ball bounce away covered in blood. Sandra (Anny Papa), the films director explains that the story is based Linda, a girl that lived in a villa that is now experiencing murders of it own. By a woman. How is Bruno connected to this? He must find out. 

This film is a good mix of Alfred Hitchcock and Dario Argento. If I told you what Hitchcock it reminds me of, I would give away the "twist" ending. I, however, figured out the "twist" long before the movie seemed to though. That's not to say this isn't a good film. The killer's cat and mouse games are top notch and slow stalking scene with the killer and the prey are as good a Mario's. The Argento touch comes through with the gore and violence, which there is a lot of. My favorite part has to be the score. Very haunting and surprisingly good for a giallo. Almost a slasher film in a way and would be a good film to view during Halloween.

Fun Fact: Lamberto actually liked the American title A Blade in the Dark better than the Italian title the House of Dark Stairs. He felt the title captured the film much better.

Abilene Town Review

Abilene Town (1946) (DVD)

Director: Edwin L. Marin

**1/2 Rating

With the people of the United States stretching out across the new lands gained by America, came a conflict that would cause great blood shed. Would this land be used by cattlemen, with large herds moving through it or homesteaded by farmers growing acres of food? The sheriff of these newly formed towns had the thankless task of policing cowboys and farmers that would rather fight and kill one another, than share the land peacefully.  

The plot follows Marshall Dan Mitchell (Randolph Scott), who has just become the law in Abilene Town. Abilene Town, the biggest cattle towns in the west, is on the brink of war between cattlemen and the newly arrived homesteaders. They lay stalk in the town and are met by cowboys raiding and burning their farms. Along with the cattlemen and homesteaders, lead by Henry Deiser (Lloyd Bridges), Mitchell also has to deal with his love life.

This a film that has everything you'd expect from a western. Loads of gunplay and fist fights and even a love triangle between Mitchell, Saloon singer Ann Dvorak and storekeeper's daughter Rhonda Fleming. Not too much of a stretch to figure out who he chooses. My biggest problem with this film is that the director didn't want the audience to take the story too seriously. Edgar Buchanan's county sheriff was more of a buffoon then the comic relief and Dvorak seems promising, but spends most of her time singing. Between the comedy, the romance, and the sing, there wasn't much time left for character and plot development. A very watchable western, but could have been better.

Abbott and Costello Meet... Movie Reviews

I grew up watching these films on T.V., back when AMC actually lives up to the C for classic in their name. In my opinion some of these movies would be perfect for someone just starting their adventures with A&C. Everything from Universal Monsters, literary characters, and even a comedy team were made between the late 40s and the late 50s. In the order in which they will be reviewed, we have Abbott and Costello Meet Captain Kidd, Abbott and Costello Meet Dr. Jekyll and Mr. Hyde, Abbott and Costello Meet Frankenstein, Abbott and Costello Meet the Invisible Man, Abbott and Costello Meet the Keystone Kops, Abbott and Costello Meet the Monster, Boris Karloff, and Abbott and Costello Meet The Mummy.

Abbott and Costello Meet Captain Kidd (1952) (DVD)

Director: Charles Lamont

** Rating

This will likely be the lowest rated A&C film in my adventures through my collection. This film has been very hard to come by for a lot of years. This is likely because A&C made this while they were under contract at Universal, but Universal didn't make this film. A&C producted this through Bud's production company "Woodley Productions". They pushes Universal to make a color A&C film and because they didn't want to pay the extra money to do this, A&C made one of their first independent films. 

Made during a slump in Charles Laughton, Captain Kidd in the film who was only paid $25,000, the plot follows Rocky Stonebridge (Bud Abbott) and Captain Oliver 'Puddin' head' Feathergill (Lou Costello) who work at Death's Head Tavern as servers. Captain Kidd and Captain Bonney (Hillary Brooks) meet in the tavern to discuss the theft of treasure by Kidd, from Bonney. Kidd has hidden the tresaure on Skull Island and has the only map, which is mistakenly swtich by Oliver for a love note. A love note, written by Lady Jane (Fran Warren), which he was suppose to give to Bruce Martingale (Bill Shirley) The tavern's singer. This mix up begins an adventure that will take the tavern servers to the high seas, but will they return...

It's very surprising that A&C had just made their Invisible Man film the previous year and would turn out something like this. A lot of the verbal elements that existed in A&C's comedies in the past have been replaced by unsophicated slapstick and people falling down or getting hit by things. The Three Stooges are famous for the falling down and getting hit and I'm a big fan of that, but A&C have always been smarter then that in my eyes. Add in the large number of musical numbers that dote this almost second-rate muscial and you're left with very little in the way of real comedy. They still do manage to squeeze out a laugh or two, but nothing like what they use to be. A highlight of the film would have to be the Handcuff scene, first used in Who Done It (1942), in which Captain Kidd explains how to put on handcuffs and locks himself in them in the process. 

    

Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953) (DVD)

Director: Charles Lamont

***1/2 Rating

Some would say that this is A&C's last great movie. I would have to agree, although I wish it wasn't true. A&C would made this in their last few years at Universal and they were focusing more on physical comedy then verbal, as in past films. Both men are top notch in the slapstick department. This film is a part of "The Best of Bud Abbott and Lou Costello" Volume 4 and has aged well in my opinion.

The plot follows Slim (Bud Abbott) and Tubby (Lou Costello), American cops moonlighting as British Bobbies, who wind up losing there jobs after a fight in the park involving Women's Rights leaders and angry men. They decide to catch a murderer, Mr. Hyde, in order to get back on the Force. They're helped by a reporter Bruce Adams (Craig Stevens) who has fallen for Women's Rights leaders Vicky Edwards (Helen Westcott). She has also caught the eye of Dr. Jekyll (Boris Karloff) and in turn Mr. Hyde has made Bruce, and anyone who gets in his way, a target.

My biggest problem with this movie and the reason for the half star taken off is not the A&C team, but Mr. Karloff. For one thing, the tranformation from Dr. Jekyll and Mr. Hyde was not a painful process. It didn't seem to effect Jekyll at all. He just sat down and turned quietly. Although I love Karloff's work, he is a pretty scary guy. In person and in films. I had a hard time seeing the difference in good and evil. March and Tracy, past Dr. Jekylls, played this to perfect. That being said, A&C are in full force in this movie with rooftop chases and fight scene that made me bust of laugh more than once. I especially love the ending and rank it as one of the top ones. Good for the young and young at heart.

   

Abbot and Costello Meet Frankenstein (1948) (DVD)

Director: Charles Barton

**** Rating

In the beginning...when A&C first started at Universal, they were paired with Dracula, Frankenstein's Monster, and The Wolf Man. This would be the hit that would bring A&C the fame they have always deserved and would see the end of the Universal Monster era. Many have called this film the swang song of the Big Three, but overlook the greatness of this film. In 2001, the United States Library of Congress deemed this film "culturally, historically, or aesthetically significant" and selected it for preservation in the National Film Registry.

The plot follows Wilbur Gray (Lou Costello) and Chick Young (Bud Abbott) as baggage clerks who stumble upon boxes, marked for a house of horrors, but containing Dracula (Bela Lugois) and Frankenstein's monster (Glen Strange). Talbot/Wolf Man (Lon Chaney, Jr.) tries to warn our boys that they are dangerous, but they are soon let out and plotting a big switch. Wilbur's brain will replace the brain Frankenstein's monster has in his head. With a controlable monsters, Dracula can rule.

This is my favorite A&C film and I have probably seen it more than a hundred times. Costello is at his best in this movie. From unloading boxes, to running from all three monster at least three times in the course of the story. We also see one of the first times they introduce Costello's animal magnetism. If there is a hot female in their films, she will likely be Lou's girlfriend, wife, or will fall for him by the end of the movie. Lou has two such women in this movie. A&C's final chase with the Big Three and A&C is a personal favorite of mine. A&C verbal comedy is at its best in this film. So many one liners.

Voice Cameo: Vincent Price as the Invisible Man.

Abbott and Costello Meet the Invisible Man (1951) (DVD)

Director: Charles Lamont

***1/2

This is the second Invisible Man that the boys have encountered. Vincent Price was the first in Abbott and Costello Meet Frankenstein. This reguarded as A&C's last box office smash, receiving only moderate returns for their later projects. The film is part of the "Best of Bud Abbott and Lou Costello" Volume 3.

Bud Alexander (Bud Abbott) and Lou Francis (Lou Costello) are private detectives, fresh out of school, who team up with an invisible boxer. Tommy Nelson (Arthur Franz) is charged with murdering his manager. He takes the formula, much to the dismay of Dr. Phillip Gray (Gavin Muir), in order to avoid arrest and solve the case. Lou goes undercover as a boxer to find the real killer, with Nelson as his invisible help.

My hat is off to the special effects created by Stanley Horsley. Given that this is the early 50s, they still are able to do amazing things. Another highlight of this film is the story itself. Originally written as a straight Invisible Man film in the series, the characters are well developed and the action and suspense left me wondering just what would happen in the end. The funniest scenes, in my opionion, are those with Costello and invisible Tommy. The scene in the restaurant is my favorite by far. My only complain is that they used a lot of scenes from The Invisible Man Returns (1940). A great film itself, but not what I wanted to see from A&C.

Fun Fact: Alexander and Francis, Bud and Lou's last names, are their real life middle names.

Abbott and Costello Meet the Keystone Kops (1955) (DVD)

Director: Carles Lamont

*** Rating

For those who have never hear of the Keystone Kops, this is not a movie they should see first. Google Keystone Kops for any number of better examples of classic Kops. This entry in the Keystone library would be the 13th in a long line of crazy Kop antics. Three original Kops are figured in the film: Hank Mann, Heini Conklin, and Harold Goodwine. Universal almost changed the name of the film to Abbott and Costello in the Stunt Men, because they felt Keystone Kops weren't relevent anymore. They, however, gave in in 1954 and thank god for that.

The plot follows Harry Pierce (Bud Abbott) and Willie Piper (Lou Costello), who invest in a movie studio, but end up swindled by a Con Man (Fred Clark). A&C follow the Con Man and his lady (Lynn Bari), where he poses as European film director Sergei Toumanoff who hopes to director Bari in a big film. A&C find Toumanoff and are hired as stunt men. They must stop him, with the help of the Keystone Kops, before he undertakes a new plan. Stealing $75,000 from the studio.

First and foremost this movie is a cartoon. Not in the sense that is animated, but that you know no matter what happens to the boys, or anyone for that matter, no one will truly be hurt. Physical comedy is wide spread throughout this movie, as it should, given that the Keystone Kops are famous for this brand of slapstick. A highlight of the film is the real life stunt work throughout. Amazing stuff that can only be done by a special kind of actor. One could almost characterize this as more of an action film, then a comedy. A&C and the Keystone Kops are top notch in the film and the big chase at the end of the film is a must see. I found myself watching some of their stunts in slow motion because I could believe what they were actually doing.

Family Cameo: Carole Costello (Lou's Daughter)

Ticket Girl at Theater

Lou: You're cute.

Ticket Girl (Carole): You're silly.

Lou: Yeah, so is your old man.

Love that scene.

Abbott and Costello Meet the Killer, Boris Karloff (1949) (DVD)

Director: Charles Barton

***Rating

Once again A&C are given a script originally written for another comedic personality and they end up turning it into gold. The source material "Easy Does It" was actually intended for Bob Hope, but because of the success of A&C Meet Frankenstein, Universal wanted another successful horror comedy from the boys. This is also their first pairing with Hollywood scary man Boris Karloff and it is a good one. This is a part of the "Best of Bud Abbott and Lou Costello" DVD series Volume 3.

The plot follows Freddie Phillips, bellboy (Lou Costello) discovers the body of a criminal attorney (Nicholas Joy) and everyone is sure he killed the attorney. The house detective Casy Edwards (Bud Abbott) must prove he's innocent and there's no shortage of suspects. Seven of his past clients are staying in the same hotel and join together to make sure Freddie goes down for the murder of their former attorney.

Much like Who Done It (1942) this is a mystery comedy and I really think I like this one better. First we have Karloff playing an evil, scary character. I've never wanted to type cast Karloff, but you do what works. Highlights of this film would have to be the scene where Karloff tries to hypnotize Lou and the scenes where Lou is a under house arrest at the hotel. The film's main focus is more on Lou this time, with less Bud then usual. Not a big favorite of mine, but worth a look none the less.

Fun Fact: In the script for "Easy Does It", Karloff's character was a woman.

Abbott and Costello Meet the Mummy (1955) (DVD)

Director: Charles Lamont

****Rating

And so we come to the end of A&C's time at Universal. Though both men are beginning to show their age, this is still one of my favorites to this day. This marks the 28th film they made under the watchful eye of Universal and A&C would make an appearance in the Macy's Day Parade soon after film. Costello suffered from Rheumatic Fever before filmming, which accounts for his slightly sickly look in the film.

The plot follows Peter Patterson (Bud Abbott) and Freddie Franklin (Lou Costello), though both would refer to themselves as Abbott and Costello throughout the film. They are stranded in Egypt and overhear a conversation involving Dr. Zoomer (Kurt Katch), where he talks about a mummy named Klaris who is the guardian of a medallion that shows the location of the tomb and treasure of Princess Ara. He is soon killed for the mummy, but the murderers overlook the medallion and A&C find it. Because of the medallion, A&C are soon taken on a high stakes thrill ride through Cairo and into the desert where they must escape the followers of Klaris, treasure seekers, and even Klaris himself.

This film is a good bookend to a career at Universal that began with A&C Meet Frankenstein. The Mummy was always a personal favorite of mine when it comes to Universal Monsters and Eddie Parker's performance is on par with the original Mummy. A&C are great, regardless of age. My favorite scene beginning where A&C hide the medallion in a hamburger and kept trading it back and forth. You won't believe where it ends up. The trio of mummies scene is also laugh out loud funny. It was also fun to see the boys revisit the slipping a mickey scene they made famous in Naughty Nineties (1945). Not as funny as A&C Meet Frankenstein, but still a fun watch.

Abbott and Costello in... Movie Reviews

Though the two movies that will be reviewed are completely unrelated in plot, for time I've decided to group the similar titled movies together. This being the "Abbott and Costello in" stretch of our alphabetical journey, we have Abbott and Costello in Hollywood (1945) and Abbott and Costello in the Foreign Legion (1950).

Abbott and Costello in Hollywood (1945) (DVD)

Director: S. Sylvan Simon

** 1/2 Rating

This movie was the last of three movies made while A&C were on loan to MGM, but under contract to Universal. The other two films being Rio Rita and Lost in Harem. These three films are probably at the very bottom in terms of my favorite A&C movies. It would seem that the boys and MGM should have never undertaken this partnership. In fact, the poor box office draw of this movie would cause MGM to end this partnership and never produce a A&C movie again.

A&C in Hollywood begins with two barber/agents, Buzz Kurtis (Bud Abbott) and Abercombie (Lou Costello), who work at a Hollywood salon. While on a house call to a neighboring movie studio (which I did not know salons did), they run into an old coworker, Claire Warren (Frances Rafferty), and the future villian of the movie, Gregory LeMaise (Carlton Young).

LeMaise, who fame is almost gone, asks Warren to go to lunch with him. When she says no, he gets angry and approaches his agent, Norman Royce (Warner Anderson), trying to get her fired. A&C witness the whole scene and Royce decides to fire LeMaise on the spot. He has just seen a young man, Jeff Parker (Robert Stanton), audition and feels he's better for the part. This causes LeMaise to change his mind about Warren and soon Royce hires him back. A&C switch careers and decide to be Parker's agent and winn him a musical role.

The DVD version that I own has two of the three movies made at MGM on it, Rio Rita still only available in VHS format. Abbott and Costello in Hollywood/Lost in Harem is a pretty awesome double feature and though they were watched together, the Lost in Harem review is still to come. A&C in Hollywood is probably the best one of the team's MGM career. What I really enjoy about this movie is the trouble Lou gets into on the MGM studio lot. I was a little disappointed that although they are in the MGM lot, we only get to see the second-tier stars like Rags Ragland, Preston Foster, Jackie "Butch" Jenkins, and Lucille Ball. Raise your hand if you know who any of them are besides Lucille Ball...you're not alone. I guess Clark Gable, Lina Turner, and Judy Garland didn't get an invite. Wall to wall laughs, but still lacking in the humor they have at Universal.

Highlight of the movie's A&C routines is the aptly titled "Insomnia". I don't want to ruin it for you, but I still crack up laughing when I watch it to this day.

Abbott and Costello in the Foreign Legion (1950) (DVD)

Director: Charles Lamont

** 1/2 Rating

A& C in the Foreign Legion was filmed five years after the above reviewed movie (A & C in Hollywood). By this time, Bud and Lou's films were geared more towards their kid audience. While some were obvious kid films i.e. Jack and the Beanstack, other like Foreign Legion merely have more kid humor.

A&C in the Foreign Legion begins with wresting managers Bud Jones and Lou Hotchkiss (they didn't even change their name for this movie) setting up a fight where one of the men will take a dive. Both men usually take turns winning/losing in each fight, but Abdullah (Wee Willie Davis) has decided he will no longer lose. He quits and escapes to the Middle East, where his family lives. A&C, needing him to come back and fight or be killed by a backer, follow him. They land in the middle of a crazy plot involving slave girls, railroads, and murderous sheiks. Will they get their man and how will they ever get out of the Foreign Legion?

This film is part of volume four of the steller film collect "The Best of Bud Abbott and Lou Costello" and the only format in which these films should be viewed. This film was made after Costello had undergone gall bladder surgery, so it lacks a lot of the slapstick comedy people came to expect from Costello. He used a stunt double for many of the scenes, but was still able to do his own wrestling stunts. The first scene where Costello stands in for each wrestler and basically gets his butt kicked showcases this and is one of the funnier parts of a lack luster film. The mirage scene and Lou's fight with a denture wearing fish are pretty low brow even for A&C's standards. Plus, if I remember correctly, the denture wearing fish bit has already been done by The Three Stooges. 

All that aside, the best part of the film is the way A&C, though horrible soldiers, manage to get involved in adventure after adventure and even manage to stop the plot hatched by Sheik Hamud and Legionnaire trailor Sergeant Axmann. Douglass Dumbrille, Sheik Hamud, also played a similiar role in A&C's Lost in a Harem and if you've seen that, you'll have a general idea of what this film is about. Basically a time passer, but not a bad one. 

Best Line of the Movie: "She's either a very ugly woman, or a very pretty monster."